Showing posts with label theater. Show all posts
Showing posts with label theater. Show all posts

Wednesday, October 23, 2024

Exceptionally well-written review of the immersive theater experience "The Manikins"

You can check out photos or watch a trailer, but I think this review does an outstanding job of describing the disturbing experience. Here's how it starts:

On arrival, the creator and lead performer Jack Aldisert asked if there was anything I'd like to know in advance. Nothing came to mind, so he noted that if I wanted the show to end for any reason, I could say "I want to stop," at any moment. This was sufficiently important that he asked me to repeat it out loud. He also explained that there'd be a short intermission where he'd come out of character to see how I was feeling.

The show took place in a small room made even smaller by a thick curtain dividing it in half. I sat down on one side and instructed to walk through the curtain to the other side when the music stopped. Someone slid an envelope through the bottom of the curtain; it contained a single page formatted like a script. Almost all of the lines were squiggles except for an exchange in which a nurse got a patient's name wrong.

When I walked through, a nurse greeted me with the wrong name, just as the script indicated. I knew I wasn't meant to be roleplaying as anyone but myself, but it still felt odd wanting to perform as a good patient. She took down various personal details, a perfectly familiar scenario made gradually more eerie by:

    1. The script

    2. The nurse's questions about a clock I couldn't see

    3. Her gradually increasing distress that I couldn't recall my nightmares in detail

Before guiding me through the curtain once more, she urged me not to tell Dr. Ligotti I couldn't remember my nightmares, The doctor (played by Jack, now wearing a lab coat) asked me about my nightmares. After some back and forth about the non-existent clock and the nature of knowing whether we're dreaming or not (inability to read writing, clocks, etc.), I agreed to his experimental treatment, which required putting on a sleep mask and wireless headphones.

His review goes into detail as to the rest of the experience, which only gets stranger and stranger.  The second half of the post also reviews a Star Trek-themed experience, and his older reviews describe several other immersive experiences.

(The description of The Manikins actually reminds me of the STTNG episode Frame of Mind, when Riker can't tell if he's acting in a play, or having a psychotic episode.)

Friday, October 11, 2024

Fight scene with a giant puppet from Attack on Titan: The Musical

@maximinalist NYCC press performances. I’m permitted to post 30-sec clips of #AttackOnTitanMusical. Bring on the Titan puppets! #musical #manga #anime ♬ original sound - Maximinalist






(Playing in New York this weekend)

Sunday, May 21, 2023

There's a new ballet at the Royal Opera House inspired by Jim Henson's "The Dark Crystal"



Here's the official site if you want to see it. Time Out said:
the show takes key elements and themes from the movie – fantastical creatures, the destruction of worlds, and as the programme note puts it ‘ecological overtones’. What we’re given is a 70-minute plotless mystical odyssey through different realms, encountering a cornucopia of creatures, elements and humans.
...
It might leave you panicking about the state of the world, but it’s a wild ride. Buckle up and let it take you away. 
I don't think there's any video online, but I posted a few more images below:

Wednesday, April 19, 2023

New opera about a drone operator, with presenting sponsor General Dynamics



Kennedy Center:
Mother. Soldier. What if both are at war?

Jess is a hot shot F-16 fighter pilot, an elite warrior trained for the sky. When an unexpected pregnancy grounds her, she’s reassigned to the “chair force” to control drones in Afghanistan from the comfort of a trailer in Las Vegas. But war “with all the benefits of home” isn’t clear-cut. As Jess tracks terrorists by day and rocks her daughter to sleep by night, the boundary between her worlds becomes dangerously permeable.

From Tony Award®–winning composer Jeanine Tesori (WNO’s acclaimed Blue in our 2022–2023 season) comes the unmissable world premiere of Grounded. Adapted from the play by George Brant and featuring his libretto, Grounded is a story about what it means to wage war at a distance abetted by technology. Mezzo-soprano Emily D’Angelo stars as a pilot and mother shaken into a downward spiral as her separation between career and home crumbles. In a first for opera stages, massive LED-screen technology will immerse audiences in the psychological and social implications of war-by-proxy. What comes at the cost of technological advancement? What’s lost when technology distances us from the horror of war? And what price is inflicted upon the operator of a lone drone in a blue sky?
“Grounded” is an adaptation of a 2013 one-woman play by the same name. Anne Hathaway starred in a 2015 production of the show [staged by Julie Taymor].

It’s unclear how closely the opera will hew to its predecessor. The original earned some acclaim for showing the dehumanizing effects of working as a drone pilot charged with shooting at people on the other side of the world and hovering above to watch the aftermath. It ended on a rather bleak note, as the now-jaded pilot warns the audience to “know that you are not safe.”

*Previously: Opera based on Frankenstein 

Saturday, January 14, 2023

Trailer for Attack on Titan: The Musical







Official site.

Saturday, March 23, 2019

A high school performed Alien as a play


















Wednesday, March 13, 2019

Opera based on Frankenstein









La Monnaie De Munt:
In 1816, fascinated by the technological and scientific advances of her time, Mary Shelley wrote the very first science fiction novel, in which an artificially created being strives to do good, but nonetheless does evil and is, as a result, rejected by its maker. Two hundred years after its publication, the US composer Mark Grey has gone back to the original story for his first full-length opera. Together with the director Àlex Ollé (La Fura dels Baus), in this 21st-century interpretation he warns of the growing gulf between our capacity to invent and our inability to comprehend. An eagerly awaited world premiere, with and about advanced technology.
(The video is NSFW, as Frankenstein is very naked.)