Variety:
Shot mostly in inky monochrome by his “In the Earth” DP Nick Gillespie, the film ricochets from sleek, high-contrast noir styling to lovingly artificial back projection to thumbprinted Harryhausen-style model-making — adding up to a disordered lookbook of genre styles and techniques from the last century or so, over a score heavy on plinky videogame-style synths, eerie bass drops