

Buy.
An insipid, undefined pretty boy on screen, he appeared in twenty pictures in four years, nearly a quarter of the films he'd ever make, and failed to distinguish himself—though he woodenly received Mae West's most famous, and most misquoted, line: "Why don't you come up some time and see me?" Indeed, his pervasive, obvious discomfort in these creaky movies is the only evidence of his innate intelligence and taste as an actor. But in 1936, something clicked when he played a supporting role in Sylvia Scarlett. Though it was a mess of a picture, he shone as a Cockney swindler, a character close to his roots, rather than the stilted Valentino he usually played. The film's director, George Cukor, recalled that the nearly thirty-two-year-old Grant "flowered; he felt the ground under his feet.Read on.

Shown here for the first time, these seventy-five patches reveal a secret world of military imagery and jargon, where classified projects are known by peculiar names ("Goat Suckers," "None of Your Fucking Business," "Tastes Like Chicken") and illustrated with occult symbols and ridiculous cartoons. Although the actual projects represented here (such as the notorious Area 51) are classified, these patches-which are worn by military units working on classified missions-are precisely photographed, strangely hinting at a world about which little is known.
By submitting hundreds of Freedom of Information requests, the author has also assembled an extensive and readable guide to the patches included here, making this volume the best available survey of the military's black world-a $27 billion industry that has quietly grown by almost 50 percent since 9/11.